{"id":447,"date":"2021-03-25T20:01:53","date_gmt":"2021-03-25T11:01:53","guid":{"rendered":"https:\/\/176.photos\/en\/?page_id=447"},"modified":"2021-03-25T21:08:54","modified_gmt":"2021-03-25T12:08:54","slug":"hayakawa","status":"publish","type":"page","link":"https:\/\/176.photos\/en\/members\/hayakawa\/","title":{"rendered":"HAYAKAWA Tomoyoshi"},"content":{"rendered":"

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\u65e9\u5ddd\u77e5\u82b3 \/ HAYAKAWA Tomoyoshi<\/h3>\n

\u226b \u65e5\u672c\u8a9e<\/a> | \u7e41\u9ad4\u4e2d\u6587<\/a><\/p>\n

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In all of my daily activities, I always try to “verify with my own eyes and ears”. I always try to observe and listen to what I hear and see first, without regard to the evaluations and values of others, and on this basis I seek my own interpretation and make judgments.<\/p>\n

My approach to photography is also the same, starting with confronting the phenomenon in front of me, photographing it, accumulating and examining it, and after the repetition of this process, I repeat the process of finding something. The process of increasing the purity of a vague image, that’s how I approach photography.<\/p>\n

My solo exhibition ‘Sea of Silence\u00a0 Mare Tranquillitatis’, held in May 2018, is a document of an Anglers, a gateway to the ‘JISSO (reality)’ that I finally glimpsed after 12 years of photographing. As an anglers, I will continue to consider human beings through fishing as my life’s work. As a photographer, I will continue to focus on all of human activity, not only anglers, but also all of human life.<\/p>\n

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Profile<\/h4>\n

Angler
\nPhotographer
\nMembr of The Photographic Society of Japan(2002~)
\nMember of gallery176<\/p>\n

Biography<\/p>\n

Born in 1974\u00a0
\n1993 Admitted to Osaka University of Arts.
\n1995 Staying in Israel and Palestine(in that time , I worked at Tel Aviv).
\n1998 Dropped out of Osaka University of Arts.
\n2000 Staying in South America for 1 year(Argentina,Brazil,Chile,Paraguay).
\nAfter returning from SouthAmerica, Became free-lance photographer through assistant of advertisement photographer.<\/p>\n

2018 YOSHITOMI PHOTO FESTIVAL 2018 (Nantan KYOTO )
\n2018\u00a0Solo exhibition\u00a0\u00a0\u201cSIZUKANO UMI\u00a0 Mare Tranquillitatis\u201d\u00a0 (gallery176 Toyonaka OSAKA, gallery2299 Susami WAKAYAMA)<\/p>","protected":false},"excerpt":{"rendered":"

\u65e9\u5ddd\u77e5\u82b3 \/ HAYAKAWA Tomoyoshi \u226b \u65e5\u672c\u8a9e | \u7e41\u9ad4\u4e2d\u6587   In all of my daily activities, I always try to “verify wit […]<\/p>\n","protected":false},"author":1,"featured_media":371,"parent":115,"menu_order":10,"comment_status":"closed","ping_status":"closed","template":"page-about.php","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-447","page","type-page","status-publish","has-post-thumbnail","hentry"],"acf":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/176.photos\/en\/wp-json\/wp\/v2\/pages\/447","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/176.photos\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/176.photos\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/176.photos\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/176.photos\/en\/wp-json\/wp\/v2\/comments?post=447"}],"version-history":[{"count":5,"href":"https:\/\/176.photos\/en\/wp-json\/wp\/v2\/pages\/447\/revisions"}],"predecessor-version":[{"id":486,"href":"https:\/\/176.photos\/en\/wp-json\/wp\/v2\/pages\/447\/revisions\/486"}],"up":[{"embeddable":true,"href":"https:\/\/176.photos\/en\/wp-json\/wp\/v2\/pages\/115"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/176.photos\/en\/wp-json\/wp\/v2\/media\/371"}],"wp:attachment":[{"href":"https:\/\/176.photos\/en\/wp-json\/wp\/v2\/media?parent=447"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}